Captive in Manhattan

The subject matter of Crystal Moselle’s new documentary The Wolfpack sounds like the premise for some creepy, postmodern young-adult novel: In Manhattan’s Lower East Side, the seven Angulo siblings — six teenaged brothers and a sister, with names like Govinda, Bhagavan and Krsna — have been raised in almost total confinement, held captive in a subsidized apartment by their paranoid-mystic father and dazed, abused mother. Continue reading 

Hip to History

OBF’s new Berwick Academy proves historically informed performances are far from old-fashioned

Matthew Halls

More than a decade ago, in a speech at the Oregon Bach Festival, former New York Times classical music critic John Rockwell suggested that OBF bring in historically informed ensembles so audiences could hear how contemporary authentic-practice Baroque performances differed from then-OBF music director Helmuth Rilling’s “1950s and ’60s interpretations.”  Continue reading 

The Cosmic Dark

Ultra Violent Rays

Ultra Violent Rays

L.A. electro-pop duo Ultra Violent Rays draws comparisons to darkly sensual and moody acts like Portishead.  The band describes their sound as “the hypothetical sonic lovechild of Siouxsie Sioux, Phantogram and the movie Blade Runner.”  Ultra Violent Rays’ current single “Wish” is propelled by hypnotic, electronic drums, a ghostly whistle, shimmering and watery keyboards and vocalist Cooper Gillespie’s ethereal voice — borrowing an irresistible hook from childhood: “Wish I may/ Wish I might/ Find the words to make it right.”  Continue reading 

Brothers of Soul

My Brothers and I

My Brothers and I

Indie-soul outfit My Brothers and I is making big noises up north, recently signing to Portland’s Expunged Records — a label with a long history of working with critical darlings like Blind Pilot.  Label founder Anthony McNamer says he knew he wanted to work with My Brother and I after seeing footage of the band performing live. “They have those harmonies that you only get from siblings,” McNamer says via press release. The five-piece band features three brothers and two childhood friends.  Continue reading 

Seattle Folk Fusion

Motopony

Motopony

Daniel Blue — who once made love in the bathroom at Eugene’s Ninkasi Brewery — grew up in a highly religious family where he wasn’t allowed to listen to secular music. Now, he’s the frontman of Motopony, the Seattle sextet that fuses Northwest indie folk with the current electronic craze.  Continue reading 

Hip Hop His Way

Blueprint

Blueprint. Photo by Bridget Brown

Columbus, Ohio-based emcee Blueprint, aka Albert Shepard, doesn’t pull any punches. Never the type to pepper an album with radio-ready “bangers,” Shepard is an artist who creates for himself. His lyrics are incredibly personal and real-to-life, sometimes isolating the casual listener because, let’s face it, most of us go to great lengths to avoid truly knowing ourselves. Not Shepard. Soul-baring is an essential part of the package.  Continue reading 

The Algebra of Love and Loss

Cottage Theatre finds the perfect formula in David Auburn’s Proof

First, the bad news: Cottage Theatre’s excellent production of David Auburn’s Pulitzer-winning drama Proof ends its run this weekend, so you’ll have to scramble to get tickets. The good news, then, is that, should you land seats, you will be treated to one of the finest local productions of the year. Directed with a sure hand by Alan Beck and featuring a small cast of talented local actors, this production achieves an almost perfect balance of emotional resonance and technical finesse. The play is so engaging and moving, so rich and dynamic, it feels like a dream. Continue reading