Eugene Weekly

One half of Texan indie-folk quartet The Deer will follow up a couple shows at Oregon Country Fair with an encore performance in Eugene at Sam Bond’s Garage.  Deers’ vocalist Grace Park explains that after OCF is over, “two have to leave for home. Alan [Eckert, drummer] and I are staying for the Sam Bond’s Show,” billed as Grace Park of The Deer.  Park says the band loves Eugene’s vibe: “We love the laid-back energy of the town and plan to make the pilgrimage back year after year.” Continue reading →

Nashville musician Aaron Lee Tasjan identifies as a guitarist despite currently making a living as a singer-songwriter. Tasjan spent some time playing guitar in the Southern-rock band Drivin’ N Cryin’ as well as legendary New York punk group New York Dolls.  “I was always interested in songs,” Tasjan tells EW, “and writing songs. So I still think of myself as a guitar player in a lot of ways.” He adds, “though I’m more of a traveling songwriter guy.”  Continue reading →

At just 30 years of age, it’s a bit odd to speak of Eugene musician Halie Loren as a time-tested veteran of the trade, but so be it. With eight albums to her name, along with international accolades, industry awards and globe-hopping tours, this gifted singer-songwriter has built the sort of solid career any artist would find enviable — the result of equal parts guts, hard work and rare talent.  Continue reading →

When you close your eyes and listen to 2015’s Untethered Moon from Built to Spill, it’s like nothing’s changed.  The guitars still wail. Singer Doug Martsch still applies layers of distortion to his vocals. The band still writes songs about rock music and the state of Idaho. Continue reading →

One of the city’s most valuable music institutions, The Jazz Station, is entering its second decade of giving Eugene a real center for jazz and other improvised sounds. The three-day 10-year anniversary celebration begins Thursday, July 23, with New Orleans singer Cindy Scott and guitarist Brian Seeger joining Portland piano star Randy Porter in a highly recommended vocal jazz show.  Continue reading →

A couple years ago, I helped film a documentary about Bad Luck Blackouts recording their debut album 13. The punk-rock trio had an enthusiastic local following, a surprisingly professional work ethic and ambitions to take the act on the road. In addition, they were incredible live. The band seemed poised to make some noise, and we wanted to capture that rise to inevitable greater success. However, as young bands often do, BLB hit a wall.  Continue reading →