An Indie-Classical Explosion

New classical ensemble Sound of Late debuts, Cherry Blossom Musical Arts hosts a showcase and more

Like the blossoms that have been emerging this spring, Oregon classical music is entering a period of renewal. Earlier this month, we told you about the young musicians who’ve just started the new Delgani String Quartet, devoted to both classics and contemporary sounds. At 8 pm Friday, April 24, Eugene sees the debut of another exciting young ensemble at the Broadway House concert series (911 W. Broadway, 686-9270). Continue reading 

Destabilizing Agents

In his groundbreaking 1978 book Orientalism, the late critic Edward Said went after the West’s misconceptions about the exotic and inscrutable otherness of Asian cultures, often so lavishly and fantastically portrayed in colonial writing. “From the beginning of Western speculation about the Orient,” Said wrote, “the one thing the Orient could not do was represent itself.” Continue reading 

Psychedelic Folk Queen

Joanne Rand

Joanne Rand

“Still a real world here,” sings Joanne Rand on the track “Real World” from her 2014 album Still a Real World. The song is a manifesto of sorts, cajoling us to disconnect from our networked lives and refocus on the material world.  But in 2015, the life of a musician — independent or otherwise — is increasingly dependent on digital space. How does the Arcata musician find balance?  Continue reading 

Long Live Richie Ramone

Hey Ho! Let’s Go!

Richie Ramone

“Hey Ho! Let’s Go!” The classic battle cry will inevitably reach the rafters this Sunday as Richie Ramone, one of the last remaining member of classic punk-rock act The Ramones, brings his leather-clad gospel anew to Eugene.  Since parting ways with the godfathers of the New York punk scene in 1987, Ramone has done time in The Rock n’ Roll Rats as well as The Gobshites. He’s even tried his hand at classical composition. But shaking the Ramones’ moniker can be tough.  Continue reading 

The King’s Fool

Mac DeMarco

Mac DeMarco

With his always-vacant bug eyes, gap-toothed perma-grin and just-rolled-out-of-bed demeanor, Canadian musician Mac DeMarco is indie rock’s greatest goofus.  But underneath it all, there’s a sly knowingness. You’re not sure how it happened, but while you weren’t looking this simpleton pulled a prank on you — tweaked your nose, tussled your hair and left you standing mystified but thoroughly amused. Continue reading 

Art & Politics

Campus theaters explore environmental and social justice

Sila

Theater has long served as fertile ground for new ideas to germinate, with playwrights boldly questioning the status quo and planting the seeds of change. Eugene audiences will have the opportunity to examine two politically charged plays, as the University of Oregon Department of Theatre Arts presents Chantal Bilodeau’s Sila: An Arctic Story and Lane Community College’s Theatre Department performs Tony Kushner’s Angels in America: A Gay Fantasia on National Themes.  Continue reading 

Fortune’s Smile

Robert Caisley’s comedy Lucky Me premieres at OCT

Joe Cronin (left), Kelly Quinnett and Eric Hadley in OCT’s Lucky Me

Sara is unlucky. She has a problem with light bulbs blowing out, leftovers spontaneously combusting and goldfish going belly up before their time. But in the new comedy Lucky Me by Robert Caisley — now playing at Oregon Contemporary Theatre — Sara finds something special because of her supposed faults, not in spite of them.  Written in a snappy style reminiscent of Kaufman and Hart, Caisley populates Sara’s leaky apartment with a cast of genuine and lovable misfits.  Continue reading