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Based in the Northeast, prog-rock dance band Dopapod are making a name in the jam band scene. This summer, the band embarks on its first West Coast tour. “I’m really excited to spend a lot of time in the Northwest this time of year,” Dopapod keyboardist and vocalist Eli Winderman tells EW. Continue reading
Finding adequate lodging is a constant struggle for touring musicians. If a band is lucky, a generous local will offer up a free place to catch some shuteye before moving on to the next city. Last time the Birmingham, Alabama-based Southern rock sextet Banditos came through Eugene, the band learned an important lesson. Continue reading
“People come to our shows because they want to hear what we do. It’s irrelevant what we play,” the 80-year-old Brit bluesman says, circumventing any specific commentary on his tour, his band, his audiences — anything. Mayall’s live shows, famous for their classic grit and wild improvisation, have been the defining characteristic of his career, but he isn’t keen on discussing even that. Continue reading
Seattle post-punk trio Nostalgist is inspired by the atmosphere of film noir — a cinematic movement popular in the mid-twentieth century known for dark imagery and sinister storylines. “I try to channel my own experiences through a sort of cinematic filter,” Nostalgist vocalist and guitarist Asa Eisenhardt tells EW via email. “My goal is to portray a scene, a feeling or both through evocative language without being pretentious.” Continue reading
A dozen years have passed since urban theorist Richard Florida argued that the U.S. has “an economy powered by human creativity.” In The Rise of the Creative Class, Florida writes, “In virtually every industry, from automobiles to fashion, food products and information technology itself, the winners in the long run are those who can create and keep creating.” Continue reading
2015 is a year of brand-spanking new features at the Oregon Country Fair: the Dance Pavilion, the dedicated LGBTQI space — Rainbow Village — and the entire 6-acre “New Area” expansion. This expansion will house nine wondrous, wacky, weird, whimsical, whippy-dippy art installations. ArtsHound caught up with Sallie Edmunds, OCF backup manager and head of the new art program, while she prepped at the Fair grounds. Continue reading
People are neurotic, kids ruin your sex life and Los Angeles is a weird place to live. These are the basic truths at the center of The Overnight, a deliciously, painfully uncomfortable comedy about two couples who are just trying to make new friends in the big city. Continue reading
Sarah Donner is a New Jersey-based singer-songwriter and self-described “creative type.” Her live show includes three guitars and a ukulele. Donner tells EW she plays all four at the same time. All at the same time? Really? “No,” Donner says. “We have dancing girls,” she jokes, before getting serious: “It’s highly upbeat and entertaining. I try to keep it lighthearted. I don’t want to be ‘that girl with a guitar.’ So I always try and make it funny and quirky.” Continue reading
You’re living in a sleepy, shitty, cozy little town and, suddenly, everything changes. It seems to happen overnight, like some bent fairy tale: The restaurants get way better, the drugs improve, coffee shops sprout on every corner, yippies start yammering about gentrification and yesterday’s wine, bourgeois hepcats from L.A. and Phoenix gallop in, now everyone’s either an artist or a suit or a fucking snake. Nostalgia hits the roof. Your rent spikes. Continue reading
Michigan band Frontier Ruckus is driving through the badlands of Wyoming. “I’m in the middle of nowhere in Wyoming,” says Matt Milia, Frontier Ruckus vocalist and primary songwriter. “The cell service is a little spotty.” This sense of expansive loneliness permeates the bittersweet power-pop of the band’s 2014 release, Sitcom Afterlife. “It was a break-up record,” Milia says. “It was an interesting juxtaposition of dark subject matter and power-pop.” Continue reading