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In its initial release, George Bizet’s 1875 opera Carmen received mixed reviews. Today, in its 140th anniversary year, many see Carmen, the story of a woman far before her time, as a feminist text. Continue reading
Chronicling the lives of five women in show business, the new play Five of a Kind spans half a century of friendship and social transformation. Written by Anita Dwyer and Adrienne Armstrong, the play premieres this week, Feb. 13-15, in a “reader’s theater” format at the Very Little Theatre. Continue reading
Dance in 2015 is beginning to bloom! The Eugene Ballet Company offers Carmen, a sultry love story set to Bizet’s romantic score. Choreographed in 2007, the piece pulses with the passionate influence of Spanish flamenco and features Danielle Tolmie and her fiancée Mark Tucker in the lead roles. Check out the free “Ballet Insider” conversation with EBC Artistic Director Toni Pimble 45 minutes prior to each performance. Carmen runs Feb. 14-15 at the Hult Center; $28-53. Continue reading
Lane Community College’s inaugural Playwright’s Showcase 2015 gives student playwrights the chance to see their nascent works come to life onstage while also gaining real-world expertise in arts management. Through this innovative program, students not only nurture creative projects, but they learn firsthand how plays are produced and promoted. This year’s showcase, which runs Thursday through Sunday, Feb. 12-15, features five plays, each written and directed by students or former students. Continue reading
Send Shakespeare to the moon. Put him in the middle of Nazi Germany, the antebellum South, the Prague Spring, the Whiteaker Block Party. The miracle of Shakespeare’s plays, and the iambic mechanics of their impossible flexibility, is that wherever you set them, Shakespeare more or less remains Shakespeare — even in Castro’s Cuba. Continue reading
Caryl Churchill’s new play Love and Information is simultaneously the worst and the best first-date idea ever. In the intimate horseshoe shape of UO’s Hope Theatre, the play’s litany of 57 scenes and 100-plus characters was so relentless that it never occurred to me to shift so that my date could grab my hand. Continue reading
When the community loses an artist, it’s first felt acutely in his mortal absence, and then in the slow, aching realization that he will never again be there to sing another song or paint another picture — or dance just one more dance. Continue reading
Just a few hours south on I-5 exists a dulcet community that my family has re-named “The Magical Twinkly Fairyland.” For the uninitiated, the village I’m referring to is Ashland, where good restaurants abound, creeks babble, deer wander and, from February through November, some of the finest theater glimmers across the stages of the Oregon Shakespeare Festival. Celebrating its 80th year, OSF’s 2015 season features three world premieres: Continue reading
In the iconic 1980 movie 9 to 5, workaday heroines Doralee Rhodes, Judy Bernly and Violet Newstead (played by Dolly Parton, Jane Fonda and Lily Tomlin) suffer under — and ultimately triumph over — their “sexist, egotistical, lying, hypocritical bigot” boss, Mr. Hart (rendered to oily perfection by Dabney Coleman). It’s a classic film, with a title song that’s been scientifically proven to be the foremost go-to karaoke anthem of all time. Continue reading
No American playwright — and perhaps no playwright ever — was as adept as Tennessee Williams at pulling apart the icky, sticky tangle of hurt that one furiously guarded secret can exact on a family. In the humid atmosphere of a Williams play, a single skeleton in the closet can level an entire clan for generations down the line, by way of recrimination, jealousy, resentment, obsession, addiction and, most of all, fear. Shit gets ugly when we tamp down the truth. Continue reading