Liberté, Égalité, Sororité

French history is chillingly familiar in OCT’s The Revolutionists

Paris, September 1793: The Bastille has fallen, feudalism’s dead and the Rights of Man have been declared. (That all sounds pretty good, right?) But wait, there’s more: Enter brilliant playwright Lauren Gunderson, who illuminates a murky, muddling moment in history with her bold new play, directed with strength and humor for Oregon Contemporary Theatre by Elizabeth Helman.  Continue reading 

Fun Reigns

ACE’s production of Priscilla, Queen of the Desert isn’t a theatrical, it’s a spectacular

It makes me all fizzy and giddy to see men dress up like women. There’s something so joyously liberating about it all. And I don’t think I’m the only one who finds female impersonators a total hoot and super sexy. Gay, straight, bi, femme, butch, blah blah blah: Just about everyone I know gets chirpy at the sight of an aging queen squeezed into a sleek satin dress and bellowing “I Will Survive” like a diva in heat. Continue reading 

Coffeehouse Folk Fairytale

If you’re a sensitive artsy type who swoons over emotional prowess in music, then Laura Marling, a musical folk fairy, is right up your alley.  Marling began her career at 16 after gaining a large following on MySpace (ah, the good ’ole days) and her popularity continued when she joined hipster heartthrob band Noah and the Whale in 2006. She took her music in a different direction after splitting with both Noah and the whale by 2008. Five albums later, Marling is kicking folk ass with her solo career.  Continue reading 

Shake Your Moni Maker

Mick Dagger, vocalist and guitarist with Eugene band Dick Dägger, says one of the best places in town to hear live music is in the john at a house across the street from Taco Bell. The house in question is the Ant House, a longstanding and popular location for basement shows in Eugene.  “There’s a vent behind the toilet,” Dagger says. “If you stuck an audio recorder right there, you could start doing live podcasts.” Continue reading 

Painting Pop In Psychedelic Colors

In an alternate universe, the album Painting With, which dropped in February, might have been Animal Collective’s pop breakthrough. But because the world is backwards and topsy-turvy, the album that broke through was 2009’s Merriweather Post Pavilion, a synth-slathered fantasia that sounds like harsh noise next to Painting With. Before it was released, nobody expected the Baltimore psych-pop band would ever play the actual Merriweather Post Pavilion, a Maryland mega-venue that typically hosts bands like Green Day and The Who. Continue reading