Pretty in China to host benefit for survivors of sexual assault
Update, April 15: Tuesday evening Veselina Karakoleva, who does booking for The Granary, contacted EW to discuss the promotional material and the new event. Continue reading
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Update, April 15: Tuesday evening Veselina Karakoleva, who does booking for The Granary, contacted EW to discuss the promotional material and the new event. Continue reading
Words by Bryan Kalbrosky • Photos by Brinkley Capriola Much like the music itself, memories from the Odesza concert at McDonald Theatre on Tuesday are perfectly fragmented into pieces of an unforgettable night. Continue reading
If Rick Bartow reads this — which he won’t, he already told me so — he would probably furrow his brow and mutter something about the article being too “woo-woo,” a term he often uses when talk gets too reverent or lofty, usually in discussions of art or religion. Continue reading
“I like new contemporary work that will push me to the next level,” says D.C.-based Washington Ballet’s Jared Nelson, who was in town last fall to set a demanding new dance on the Eugene Ballet Company. Nelson’s handiwork, the Eugene premiere of Washington Ballet artistic director Septime Webre’s pulsating “Fluctuating Hemlines,” will serve as the performance opener when the 15-member Eugene Ballet Company performs it, along with Tommy The Ballet, April 11 and 12. Continue reading
It’s not often that one gets to enjoy — honestly enjoy — the seventh movie in a series, but Furious 7 is one of those times. Continue reading
Colorado producer, DJ and electronic musician Michal Menert is called “the Godfather of Electro-Soul.” “It’s a title the fans have given me,” Menert tells EW via email. He says his work with trendsetting artist Pretty Lights put him at the forefront of the white-hot EDM (electronic dance music) scene. “It’s a flattering name that got placed on me, and I wear it with a smile,” Menert says. “I never refer to myself as that, but will gladly take it.” Continue reading
There’s a new sound in the underground and it’s taking foothold in Eugene. The sound is called electro swing, or e-swing, a blending of modern techno, bass and house music with vintage jazz and swing music of the ’20s, ’30s and ’40s. For Eugene’s plentiful, dance-hungry audiences, this combo is a no-brainer. Continue reading
Straight-edge bands get a bad rap. Often unfairly branded as a general crankiness toward all things fun, the straight-edge, or “sXe,” movement is largely anti bar, house party or any other place where drugs or alcohol might rear their ugly heads. It isn’t a scene particularly synonymous with “ragers.” Continue reading
If music is the universal language, the voice is the universal instrument. Continue reading