
In an alternate universe, the album Painting With, which dropped in February, might have been Animal Collective’s pop breakthrough.
But because the world is backwards and topsy-turvy, the album that broke through was 2009’s Merriweather Post Pavilion, a synth-slathered fantasia that sounds like harsh noise next to Painting With. Before it was released, nobody expected the Baltimore psych-pop band would ever play the actual Merriweather Post Pavilion, a Maryland mega-venue that typically hosts bands like Green Day and The Who.
But in 2011, the band did.
And then they had to fuck everything up with the inaccessible, widely reviled Centipede Hz of 2012.
Some bandwagon-jumpers might not even know Animal Collective even did anything after Merriweather. But Animal Collective is still active, touring and set to play Sept. 26 at the McDonald Theatre.
Bring your dancing shoes. Painting With sounds like nothing so much as The Jackson 5 on speed. The hooks are bubble-gummy and childlike. The tempos are breakneck — band member Noah Lennox (aka Panda Bear) cites the Ramones as an influence. The band filled up the studio with kiddie pools and dinosaur projections while recording these songs, and the final product sounds the part.
Opening the show will be Eric Copeland of the band’s longtime buddies, experimental group Black Dice (whose Beaches & Canyons album is worth a listen). It’s not hard to imagine that Copeland’s work was a conscious or subconscious inspiration on Painting With; his music is fast-paced and filled with staccato and kiddie sounds, much like Animal Collective’s latest. He’ll be a hoot; don’t miss his set.
Animal Collective and Eric Copeland perform 8 pm Monday, Sept. 26, at McDonald Theatre; $25. All ages. — Daniel Bromfield
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
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None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
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