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Dots, Lines and Equanimity
Honestly? For those whose drug of choice arrives in espresso cups or soda bottles, the multitudinous Punto y Raya shorts might be a challenge. Certain other substances — the ones that slow you down, make you notice Every Amazing Detail Of The World or make you, shall we say, ecstatic — might enhance the trip-hoppy experience of watching dancing lines and dots and colors. Especially the dancing lines and dots and colors set to the “non-narrative music” required by the organizers in Madrid.
The actual Punto y Raya festival, a 2007 event/competition in Madrid, included workshops; DVJ sessions in which people spun music and made movies; and historical works like Norman McLaren’s 1971 “Synchromy,” an oddly fascinating morph of the game Frogger, TV test patterns, Ghanaian kente cloth and Mondrian paintings. The full DVD hadn’t made it from Barcelona before press time, but what I saw in the preview included short bits of competition winners. They look both more gorgeous than the older pieces, with lovely references to Abstract Expressionists like Clyfford Still, and more experimental: random light beam patterns, ink spots on toilet paper, wind making patterns on film. I look forward to the entire experience, coming Eugene’s way at 1 pm Sunday, Nov. 16, at DIVA, 110 W. Broadway. $5-$8. — Suzi Steffen
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
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None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519