
MOVIE LISTINGS | MOVIE REVIEW ARCHIVE | THEATER INFO
I Am Doubt
Will Smith film can’t survive Will Smith
BY JASON BLAIR
I AM LEGEND: Directed by Francis Lawrence. Written by Mark Protosevich and Akiva Goldsman. Cinematography, Andrew Lesnie. Music, James Newton Howard. Starring Will Smith. Warner Bros. Pictures, 2007. PG-13. 101 minutes. ![]()
![]() |
| Not a scene from a new Alien film: Will Smith in I Am Legend |
I began to worry early in I Am Legend when the animals, not the human, were getting all the best parts. Deer stampede through the streets of New York. Lions knock them over like bowling pins. It might look like New Urbanism by way of the book of Genesis, except for the fact that Robert Neville (Will Smith) is the city’s only resident. Three years after a deadly viral outbreak, Neville is all that remains of the good guys. Darkness belongs to the bad guys, seething hordes of light-sensitive zombies whom Neville presumes ate the few survivors immune, like Neville, to the virus known as KV. As far as Neville knows, he’s the last man standing. Thus the fate of mankind, as well as I Am Legend, falls squarely on the shoulders of Will Smith, who plays Neville with a cool, flinty resolve that to me is the undoing of the picture.
It’s the Castaway problem: To appear credible and sympathetic, an actor in isolation for the better part of a movie must understand loneliness and despair, conditions to which nobody in the world is immune. Many didn’t favor Castaway as much as I did. But Castaway did get something right: Tom Hanks’ belly in the yellow-orange glow of the bonfire on the beach. That soft belly is to convince you Hanks won’t survive the night. By contrast, consider Will Smith’s Neville. He’s not only a military colonel, he’s a brilliant virologist; he’s not only a scientist, he’s immune to the virus; he’s not only immune, he has the swagger of an action hero; and it’s this last part I have problems with. Don’t blame the book: In the 1954 novel by Richard Matheson, Neville is a factory worker struggling with depression at world’s end, his ordinary qualities giving the book universal appeal. Blame Akiva Goldsman, whose screenplay departs from the book so geometrically that the title, originally a reference to Neville’s “legend” among the undead as a killer, is by comparison sadly ironic. To Goldsman, a character must be conspicuous to be likable, a tendency he’s been demonstrating since Batman & Robin, which might be called an accidental zombie film.
Smith’s performance, already handicapped by the screenplay, manages to evoke occasional upwellings of sympathy. But Smith seems tight and uncomfortable in post-apocalyptic New York. Call it what you will — charisma, angles, range — Smith doesn’t have it in I Am Legend. Smith is successful when he’s up against a stodgy but self-satisfied cadre of elder doubters, as he was in Six Degrees of Separation, Ali and Men in Black. He does ambition, not self-doubt, and doubt is what is needed for I Am Legend to survive in this age of apocalyptic offerings like 28 Days Later. Late in the film, Neville is still saying “I can fix this.” I beg your pardon? The zombies have the metabolism of great white sharks and, even worse, the disposition.
More interestingly, the zombies also have the ability to learn. Part of the enjoyment of I Am Legend is the cat-and-mouse game between the undead and Neville, who traps the creatures to run experiments. Director Francis Lawrence (Constantine) does an inspired job of creating an urban environment sliding back into nature’s grip. Times Square is a weedlot. The world appears to have ended around Christmas, as evidenced by the wreaths and tinsel strewn about. Inspired touches can be found everywhere, perhaps none more so than the perfect weather, which contrasts with the violence and mayhem at night. There’s a thrilling car chase between Neville and a herd of deer, the only interspecies car chase I can recall. There are also, this being a zombie picture, shocks and scares aplenty. But I Am Legend also wants to be a character study, and in that respect, the film is a disappointment.
I Am Legend is now playing at Cinemark and VRC Stadium 15.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
