
Float On
Floater celebrates the release of Wake
by William Kennedy
![]() |
Don’t panic, Eugene, but Floater’s gone pop. No, the group won’t be doing duets with Taylor Swift at the Grammys any time soon, but there are songs on Floater’s eighth studio album, Wake, that some are calling “radio friendly” and a return to the heavier, harder sound of the band’s early work.
Floater vocalist Rob Wynia says there was no conscious effort to make a more mainstream record. Floater has “always made the music we’re into at the time,” Wynia says. Wake, he adds, is “influenced by touring, constantly playing live … live energy creates pop rock.”
If there were a Eugene Rock ’n’ Roll Hall of Fame, Floater would be a shoo-in next to Jerry Garcia and the Cherry Poppin’ Daddies. Despite being based in Portland now for several years, Floater has remained good friends with Eugene — and Eugene returns the feeling. Wynia says Eugene has “got a special place in our hearts. It’s where we all met.” As they’ve built a sizable following all over the Northwest, Floater long ago graduated from the small bars and venues in the area to some of Eugene’s largest venues. “We used to say, ‘Wouldn’t it be fun to play Max’s?’,” Wynia jokes, remembering the band’s early days. Now Floater frequently headlines the McDonald Theatre and the Cuthbert Amphitheatre.
Floater began making a name for itself mixing Metallica’s chunkity-chunkity riffage with Pink Floyd’s psychedelics and Tool’s ominous tribal atmosphere. The band has since since spent time experimenting with acoustic styles, even releasing a live acoustic album recorded at the WOW Hall. “We always want to be doing something we love,” Wynia says. It’s not easy for any group to experiment with sound and maintain its following, but Floater has pulled it off with relative ease. Wynia attributes this success to the “tolerance and patience of our fans.”
Floater has had many opportunities to hit the big time with a major label record deal, but the band has turned down all offers, opting to continue playing to and growing the loyal Northwest fanbase. While Wynia sees many challenges involved in maintaining a muiscal career when you’re labeled as a successful “regional act,” it also allows the band to enjoy more down time with loved ones and more time writing and rehearsing. Most importantly, he appreciates that he’s been able to maintain the enthusiasm that got him into playing music in the first place. “We’re still like a bunch of teenagers,” he says. “I hope people who come to this show enjoy it half as much as we will.”
Floater, Sassparilla, Ruins of Ooah and the RAWKrew Breakdancers. 7 pm Saturday, June 26. Cuthbert Amphitheatre. $17 adv., $19 door.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
