
Common Gets Nerdy
Gap between words and actions won’t stop fans
by Sara Brickner
![]() |
Alittle part of me died when I saw Common shilling for the Gap two years back. The man who wrote “I Used To Love Her,” king of independent hip hop, in a commercial for a company that’s been repeatedly shamed by investigative journalists for using sweatshop labor in developing countries? The horror. The disappointment. If you don’t believe me, go look up The Guardian’s 2007 article on the Gap’s child labor sweatshop in India; that story was published well after Common appeared in Gap ads in 2006. For a vegan rapper who pledged to remove all the homophobic language from his music (language that continues to be prevalent in both mainstream and underground hip hop, I might add) and was willing to take on the violent misogyny of gangsta rap to turn around and advertise for a corporation like Gap couldn’t be anything but a big fat shock.
But hey, everybody’s gotta eat. Gap ads aside, Common’s been a consistent anchor in the storm in rap music. After more than 15 years of making records, he’s still one of the best poets making music today. No amount of commercial-making is gonna change that. Plus, more recently, he’s redeemed himself by shilling for one of my favorite people: Barack Obama. Yes we can, Common, yes we can. And it’s not like Common hasn’t saved up enough street cred in the bank to cash in on some of that sweet advertising moolah. I can’t say it wasn’t discouraging to see one of my first hip hop loves turn corporate. But I also can’t say he didn’t earn the right. Which is why I’m still planning to check out Common’s show, and I’ll probably cop his new album, Invincible Summer, when it drops Sept. 23 (it was actually supposed to come out on a more appropriate date in July). Outkast and Neptunes producer Mr. DJ lends his talents to this record, which I’m hoping will be an improvement from last year’s Kanye-produced Finding Forever, because while that record was decent, it was still a far cry from their last collaboration, Common’s wildly successful 2005 release Be.
Perhaps because of the production connection (and ’cause they’ve got a new record out, Seeing Sounds) Common tours with N*E*R*D, whose members, Pharrell Williams, Chad Hugo and Shae Haley, have created some of the sickest beats on the globe and helped bubblegum hacks like Britney Spears and Nelly climb to the top of the charts. But I can’t help but be a little annoyed at Williams and Hugo for producing Britney Spears’ “I’m A Slave 4 U” and Nelly’s “Hot In Herre,” since it was their beat-making skills that made those songs ubiquitous on commercial radio. At the height of its popularity, I must’ve heard “Hot In Herre” at least three times a day for months. Thanks a lot, guys. Thanks a lot.
Common, N*E*R*D. 7 pm, Friday, Sept. 19. Cuthbert Amphitheatre. $32 adv., $35 door.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
