It’s always a little bit of magic when two people can make music together that is larger than the sum of their individual parts. Such is the case with San Diego folk-pop duo The Lovebirds.
Formed by two singer-songwriters, Lindsay White and Veronica May (one has perfect pitch and one has perfect dimples), The Lovebirds possess the earnestness of the Indigo Girls along with the playfulness of Tegan and Sara. The Lovebirds’ first album, Nutsy Pants, was nominated by the San Diego Music Awards, which recognizes the best local bands in that area. They followed up Nutsy Pants with and a one, and a two, which just hatched on May 2.
The Lovebirds take their sexually ambiguous nature and infuse it with fuzzy guitar, melodies and hooks to the extreme. On top of their guitar and ukulele, they add in some electric guitar and bass from their producer, Jeff Berkeley. The two women trade off harmonies on the track “Landmine,” which celebrates their relationship with all its peaks and valleys. The track “Goldmine” seems to be a response to “Landmine,” in which they’ve both accepted and looked forward to the pay-off of a long-term relationship.
White and May are both life partners and musical partners, and regardless of which one has the pitch and which one has the dimples, The Lovebirds seem to be a perfect pair.
The Lovebirds play at 7:30 pm Sunday, May 12, at the Axe & Fiddle in Cottage Grove; $3-$5.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519