1. Chadhurst Sharpe ChadhurstJainlettSharpe.com.
2. Cai Emmons CaiEmmonsAuthor.com.
3. Jeff Geiger JCGeiger.com.
Chadhurst Jainlett Sharpe has long held a passion for the written word. He vividly remembers walking into Barnes and Noble when he was 20, and discovering a treasure in the works of Neil Gaiman. “I was there for the whole rest of the day,” he says, reading every Gaiman novel he could get his hands on. “I love that he’s able to take these intangible things and put them into print.”
When Sharpe began writing his own fiction, he found himself constantly drawn to the gothic horror genre. But that’s changing. “The last few years,” he says, “it has changed to surrealism or even magical realism — there’s even a few fiction pieces that are set in the real world as well.”
Sharpe’s latest novella, The Wives of Isabella Danger (2020), is a departure from the voice he typically writes in. “The main character is a Hispanic woman who is slowly realizing she might be gay,” he says. “She’s a writer and gets this assignment to interview this ex-celebrity she’s always been a fan of.” The novella centers on a conversation between Isabella Danger and the main character, and it takes place during an afternoon. Sharpe aims to push himself out of his comfort zone artistically. “I’ve never written anything like it, and I really like how it came out,” he says.
Though the genre may change, the themes Sharpe is naturally drawn to have remained consistent. “I find myself drawn to diction, [to] self discovery a lot, ” he says, “and the kind of dual idea as to whether things actually change or stay the same.”
Currently, Sharpe is at work rewriting his first novel, which he published in 2016. “I’ve grown since then,” Sharpe says of Alton Heights. “I feel very good about it, and I’m excited to get this story back out there.”
Sharpe’s work is available on his website, ChadhurstJainlettSharpe.com, and The Wives of Isabella Danger is available for purchase on Amazon.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
