One song can change your fate. One song can sweep you from hope and wonder to tragedy and sadness. That’s what made Hadestown riveting when the Broadway show stopped at the Hult Center in November 2024. The question burns — can Orpheus rescue Eurydice from the clutches of the underworld, from Hades and his wife Persephone? Now, Anaïs Mitchell’s folk opera, which debuted on Broadway in 2019, comes to Springfield High School with Hadestown: Teen Edition. The five-performance run begins Feb. 14, and Jill Plumb, the drama director at the school for 21 years, is ready. “It’s one of the largest professional challenges I’ve had at Springfield High School,” she says with a laugh. That includes a revolving stage, a feature in the original Broadway production and a first for Plumb (“And it is awesome!” she notes). It also has some professional freelance help in the form of Vicki Brabham (accompanist), Naomi Castro (vocals), Adam Kelly (choreography), Emily Bolivar (technical consultant) and Perri Allison (costumes). Mostly, though, it’s about the young people in the production, whom Plumb cannot speak highly enough of. There’s James Glavin as Orpheus, Nadia Plumb as Eurydice, Martin Diaz-Alvarado as Hades and Leila Kammerzelt-Murphy as Persephone, as well as Brianna Hernandez as Hermes and Kaci Tanner, Max Britton and Lucas Brooks as the Fates. The Workers are Jade Kemry, Nay Fonseca, John Ward, Benson Hein and Lina Nyamute. “The kids know this. They understand,” Plumb says. “There’s been a lot of excitement and buzz. It’s been magical.”
Hadestown: Teen Edition is 7 pm Feb. 14, 15, 20, 21 and 22 at the Springfield High School Auditorium, 875 7th Street, Springfield. Admission is $6 to $9.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
