“So, this story is about a tech billionaire and he’s struggling to relate to his daughter — who’s a super genius hacker — because there was an accident with one of his creations,” says Josh Gross. He’s the founder of horror puppet musical theater company Puppeteers for Fears and writer of their newest play Robopocalypse. Robopocalypse, Gross says, is a cyber-punk, feature length, science-fiction musical. Its plot follows a disconnected father and daughter duo, who must work together to defeat a homicidal robot, while repairing their relationship and understanding the meaning of life. “It’s a family drama that’s been wrapped into a sort of a kooky apocalypse story with talking robots,” he says. He also says that it is first and foremost a comedy. He describes Robopocalypse as “The Muppets do Tron.” Puppeteers for Fears began 10 years ago when Gross was asked to write a Halloween show. He was a musician dabbling in playwriting, and could never take musicals seriously due to their spontaneous dancing-in-the-street nature. But he realized that if you make a musical with horror puppets, “it’s so weird, people just jump right in.” Another unique aspect of this puppet company is that everything, including all of the music, is performed live (as opposed to many puppets who lip sync to pre-recorded tracks). Gross says that Robopocalypse is their most ambitious play yet. After receiving a $73,000 Creative Heights grant through the Oregon Community Foundation, Gross says the two and a half hour musical has a huge budget, with lasers, digital scene projection and more special effects than ever before. But more than the effects, the show “will get you in the heart,” he says. “It’s a serious story,” but he points out that the audience “doesn’t expect that from puppets, which is part of the reason it’s so fun.”
Robopocalypse presented by Puppeteers for Fearsis 8 pm, Thursday Sept. 4, at Whirled Pies, 199 West 8th Avenue. Doors open at 7 pm. Tickets are $23 advance and $28 day of show, and are available at WhirledPies.com. The show is 21-plus.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
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None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
