Eugene Weekly

Within the first few minutes of Widows, a heist goes terribly awry. You’ll see this coming. It isn’t the job that you’re here to see, … Continue reading →

Bad Times at the El Royale is the multi-talented Drew Goddard’s first film as a director since 2012’s horror delight The Cabin in the Woods … Continue reading →

It is always sunny in Colette. Wash Westmoreland’s new biopic of the early years of the French author exists in the kind of period-piece world … Continue reading →

Assassination Nation, writer-director Sam Levinson’s bloody, messy commentary on our outrage-fatigued era, can’t commit. The story of four teen girls vilified by the mostly white-male … Continue reading →

At first, Madeline is a cat. Cats sniff things; they curl up in strange places; they pounce; they rub their faces on their people and … Continue reading →

For all the things that have changed about being a teen — apps and laptops, likes and subscribes, the endless awareness that everyone else really … Continue reading →

If you as a child had even a passing familiarity with Mister Rogers’ Neighborhood, you don’t need anyone to tell you to hop the trolley … Continue reading →

The galaxy far, far away hasn’t been a nice place for a long time. We’ve known this since we saw Alderaan blow up in the … Continue reading →

If there’s a singular disappointment about the documentary RBG, it’s that it’s a 97-minute movie rather than, say, a five-hour miniseries, the kind of television … Continue reading →

When you’ve watched enough documentaries about musicians and performers, you begin to expect certain things from them. The beats grow familiar; the stories hum along … Continue reading →