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Gypsy acts are known for their rowdiness; their raw, cigarette-smoky, patched-clothing, dented-brass impurities. Above all, gypsy acts are known for their stage presence. Seattle-born folker Jason Webley is no different. Continue reading
The concept behind 2013’s The Clear Blue Pearl from Portland band Morning Ritual sounds more like a sci-fi-fantasy movie than a pop record, complete with a devastating drought, an epic journey and a mysterious “blue pearl.” Continue reading
New Year’s Eve has always been my least favorite holiday, with the commercially contrived Valentine’s Day a close second. Instead of celebrating gratitude or sacrifice or renewal or even zombies, it’s become pretty much an excuse to go out and get hammered and maybe ruin someone else’s life by driving intoxicated for a nightcap. Continue reading
There are a lot of captivating things about Kathryn Claire. She’s a classically trained violinist (picking it up at age 7), a self-taught guitarist, and she teaches songwriting to kids. But most captivating and surprising is when she opens her mouth to share her deep, emotive voice. A trained vocalist since age 14, Claire (pictured) is no stranger to the emotional range a female voice can hold — she lists Ani DiFranco, Indigo Girls and Joni Mitchell as influences. Continue reading
It always begins this way — with a moment of mystical clarity and ease, eyes closing of their own accord. The head starts to sway side to side with the steady pizzicato of the upright bass. A sound so open and full, you could stand in it. Then comes the circular sound of brushes on a snare drum — fluid, guitar and piano key flavors, and finally, floating on top, a voice: Oh, I hate to see the evening sun go down, ’cause my lovin’ baby done left this town… Continue reading
Sallie Ford at Cozmic Dec. 9. All photo illustrations by Athena Delene. The last time Sallie Ford played in Eugene was October 2013 at Sam Bond's. She was with her old band, The Sound Outside, and had recently released Untamed Beast. That show was packed — if memory serves me right, there was a line around the block. Continue reading
Band names don’t usually refer to the art of songwriting itself, but that’s exactly what Hook & Anchor does. “It kind of refers to the things a good song needs,” says Kati Claborn, singer and guitarist for the band (she also plays banjo and uke). Continue reading
“KMRIA stands for: Kiss My Royal Irish Ass,” says Casey Neill of Portland-based Pogues tribute band KMRIA. “The reference is from James Joyce’s Ulysses,” Neill says, explaining KMRIA is also referenced in Pogues’ song “Transmetropolitan.” Continue reading
Though Wikipedia deems Portland-based acoustic five-piece Horse Feathers “indie folk,” frontman Justin Ringle is less sure. “I don’t even look at it as folk or neo-folk, necessarily,” Ringle tells EW. Continue reading
Seattle in the ’90s was the kingdom of super fuzz and big muff, as greasy-haired white boys in skinny jeans crunched out Neanderthalic riffs like The Kinks on horse ludes. It was a glorious time, full of sound and fury, signifying Sub Pop Records. Iggy was god. Everyone was touching each other and getting sick. And through all that nevermind noise, this beardy old dude with a froggy voice and clangy guitar continued to ply his strange old-timey stylings, laying down this wonky-doodle groove that was like a surreal vaudeville patter horned through the swordfish trombone. Continue reading