The Eyes of a Poet

Shane Koyczan

Shane Koyczan

At 24, Shane Koyczan quit his job to become a spoken-word artist full time. He had discovered his voice. And not just any voice, but a voice people stop and listen to. Koyczan moves through line by line, transitioning like the ocean, with soft articulation and a powerful yet affable tone, speaking about the world and its shortcomings.  Continue reading 

Indie Gloom

Gloomsday

Gloomsday

The Bangles called Monday “Manic” and Morrissey called Sunday “silent and grey.” Which day of the week do San Diego’s power-punk duo Gloomsday find the gloomiest? “Every day so far is Gloomsday,” Lori Sokolowski, Gloomsday drummer and back-up vocalist, tells EW. She concedes that her gloomiest day is “Sunday night when the fun’s over and you have to go back to real life.” The San Diego duo returns to Eugene, playing its brand of hard-hitting, punk-inspired indie rock.  Continue reading 

Vaudeville at the Shedd

Revival of musical Whoopee! is zany good fun

Stephanie Hawkins (left), Jim Ballard, Kaitlyn Sage and Trevor Eichhorn in Whoopee! at the Shedd

Set in 1928 Arizona, The Shedd’s revival of Whoopee! is populated by rootin’ tootin’ cowboys, rich tourists and the occasional hypochondriac. Based on the 1923 play The Nervous Wreck, this goofball musical comedy by Gus Kahn and Walter Donaldson was made famous by both the Ziegfield Broadway production of 1928 and the 1930 Eddie Cantor film.  In the vaudeville era, shows like Whoopee! cobbled together already popular tunes with a loose plot, peppering zany narratives with plenty of jazz standards and daffy jokes. And it’s still a winning combination.  Continue reading 

How to Get Ahead in Monarchy

VLT casts Anne of the Thousand Days as a post-apocalyptic feminist tale of Tudor intrigue

Melanie Moser and Shawn Bookey in VLT’s Anne of the Thousand Days

VLT casts Anne of the Thousand Days as a post-apocalyptic feminist tale of Tudor intrigue William Faulkner once suggested in an interview that the essential ingredients of any good drama are family, money and murder. This might help explain our ongoing obsession with the House of Tudor, those ingrown English monarchs whose rule included ample instances of greed, intrigue, betrayal and bloody battles for the rights of primogeniture. Continue reading 

Prisoners and Guards

In 1971, Stanford professor Philip Zimbardo planned a two-week project that had such incredible results we’re still talking about it more than 40 years later. On the surface, Zimbardo’s idea was simple: Put college students into a simulated prison environment — some serving as prisoners, some as guards — and observe the psychological effects. Continue reading 

Sick as Fuck

Twisted Insane

It wasn’t many years ago that San Diego rapper Twisted Insane was homeless, struggling to get by, hustling CDs for food in mall parking lots and on busy sidewalks. Bouncing from one metropolitan area to another, the horror-core hip hopper would build a following and relocate, honing his craft while building a small but viciously loyal fan base.  Continue reading 

Welcome to the Dollhouse

Hello Dollface

Hello Dollface

Colorado musicians Hello Dollface have deep roots in Eugene. Besides frequently playing the Oregon Country Fair, two members studied music at the UO.  In collaboration with its non-profit music education program, iAM MUSIC, the band has even founded a festival in Colorado, which Hello Dollface vocalist Ashley Edwards says is patterned somewhat after OCF.  Continue reading 

Makin’ Whoopee!

Roll Jimmy Kimmel, Elvis Presley and Jim Carrey into a single explosive entity and you might come close to Eddie Cantor’s impact on American entertainment. Rising from an impoverished Russian Jewish immigrant New York family, the little, bug-eyed and singing waiter parlayed his broad talents and irrepressible personality to Vaudeville before doing a decade on Broadway at the Ziegfeld Follies, eventually becoming one of the dominant figures on American radio in the 1930s and ’40s. Continue reading