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It’s a timeless literary trope, from Ecclesiastes to Groundhog Day: A cynical man, mired in despair and the funk of worldly resentments, is confronted with the error of his ways to such an extent that he undergoes an immediate and permanent transformation, emerging from darkness into light. Such victories of the spirit are the epitome of happily ever after, and we never tire of their telling. Continue reading
The theater community, and Eugene at large, is mourning for Mark Lewis, the beloved Emmy-winning storyteller, actor, author, teacher and father who passed suddenly Sunday, Dec. 7. Lewis’ talents will be remembered near and far for his voiceover work with Disney Imagineering on the Pirates of the Caribbean ride; for Word Pictures: Storytelling with Mark Lewis; for his appearances on Grimm and Northern Exposure; and for teaching presentation skills at the UO’s School of Journalism and Communication. Continue reading
Carly Aquilino has been doing standup for less than three years and she’s already got a hit show — millennial favorite Girl Code, a comedy series where women in entertainment “weigh in on the sisterhood that all girls share” — and a cult following: In a recent episode, a fan gets Aquilino’s face tattooed on her thigh (another fan shaved her face into his back…). EW caught up with Aquilino over the phone from her New York apartment. She brings her act to Eugene for the first time Dec. 6 at McDonald Theatre. Continue reading
This holiday season, stages beckon with dance offerings for the young and young at heart. Ballet Fantastique rolls out its new holiday tradition, An American Christmas Carol, choreographed by Donna Marisa Bontrager and Hannah Bontrager. This jazzy retelling of Charles Dickens’ classic tale sets the ghostly story in post-WW II America and features live music by jazz singer Halie Loren. Performances run Dec. 12-14 at the Hult Center; $17-$49. Folks on the coast can catch the show Friday, Dec.19, at the Florence Events Center; $16-$24. Continue reading
Nightcrawler begins as a sleek, beautifully filmed portrait of desperation in uncertain times. Under Los Angeles’ flickering lights, people are desperate to keep their jobs, or to find jobs, and a degree of dubiousness is par for the course. Lou Bloom (Jake Gyllenhaal) is a small-time thief, stealing scrap metal for cash, when he stumbles onto a new career: At a crime scene, there’s a man with a camera, gathering footage for local news. Inspired, Bloom buys his own gear and hires an “intern,” Rick (Riz Ahmed). Continue reading
Seattle in the ’90s was the kingdom of super fuzz and big muff, as greasy-haired white boys in skinny jeans crunched out Neanderthalic riffs like The Kinks on horse ludes. It was a glorious time, full of sound and fury, signifying Sub Pop Records. Iggy was god. Everyone was touching each other and getting sick. And through all that nevermind noise, this beardy old dude with a froggy voice and clangy guitar continued to ply his strange old-timey stylings, laying down this wonky-doodle groove that was like a surreal vaudeville patter horned through the swordfish trombone. Continue reading
SHOW CANCELED. What would legendary Smiths guitarist Johnny Marr — now in his fifties — say to his 19-year-old self, just about to embark on a career that would lead him to become one of the most widely acclaimed and respected rock musicians of his generation? “Don’t give up.” And what would 19-year-old Marr say to older Marr? “Keep a good haircut.” Continue reading
Much has changed since we last caught up with Portland darling Sallie Ford a year ago. Most notably, she’s no longer with The Sound Outside, her all-dude backing band (they broke up amicably). Ford simplified her band moniker to just Sallie Ford and pulled in a team of PNW musicians — Cristina Cano on drums, Anita Lee Elliott on bass and Amanda Spring on drums. Continue reading
’Tis the season and all, but before we get to the holiday shows, let’s note the secular sounds. The Dec. Continue reading
KLCC’s arts and culture reporter Eric Alan hosts the Dec. 5 First Friday ArtWalk starting at 5:30 pm at Eugene Piano Academy and hitting stops MECCA, MODERN, Oh So Jo and The Gallery at the Watershed. Keep an eye out for the beautiful modern and almost Fauve-like painting of Shelley Roenspie at Oh So Jo as well as new works by Adam Grosowsky — stunning gestural large-format oil portraits — at Karin Clarke Gallery (off the guided walk). Continue reading