Eugene Weekly

Nihilism and depression have long been compatriots. Dwelling together in the darkness, they lay entangled, drawing from one another, separate, yet not inseparable.  Continue reading →

One easy way to keep rap lovers happy is to introduce them to an emerging emcee with fast flow and a sharp, cutting vocabulary.   Futuristic, born in Illinois and based in Arizona, is just that. His “Watch Yo Mouth” tour hits dozens of stops along the West Coast, and then extends east as far as New York. While he has gigs scheduled with musicians like Action Bronson and Shwayze, the 22-year-old rapper says he enjoys performing for audiences similar to what he expects to see in Eugene.  Continue reading →

“University cities are the best places to play,” says Jay Bentley, bassist for legendary Southern California punk band Bad Religion. “They’re full of students,” he continues, “and students are the best people.” Bad Religion has been busting establishment chops since 1979. The band returns to Eugene in support of 2013’s studio record True North. Bentley says in addition to touring, Bad Religion has started writing a new record. Continue reading →

In the fog-ridden murkiness of Cascadia, one can easily forget that not all metal is black metal. Shattering our illusions of “all-grim everything” comes the brilliantly crisp technical metal of Archspire from Vancouver, B.C. Sharing the brutal gospel of last year’s The Lucid Collective (released on the Season Of Mist label), the tech-death powerhouse has been tearing up stages aside the likes of Fallujah, Origin and Fleshgod Apocalypse, all the while winning over new converts.  Continue reading →

Jeff Tweedy was an integral member of Uncle Tupelo and is now the frontman of Wilco — putting him at the forefront of two of the most acclaimed American rock bands of the past 25 years.  In 2012, Tweedy produced the Mavis Staples record One True Vine. Tweedy asked his teenaged son Spencer to play drums in the studio, and from these recordings came the father-son project Tweedy.  Continue reading →

The visiting hip-hop scene has thrived this past year in Eugene, with rap revolutionaries — ranging from Sir Mix-A-Lot to J. Cole — stopping by on tour nearly every weekend. Continue reading →

Adia Victoria has only released two songs, but the Nashville-based singer is already on the rise as a Southern Gothic queen. Rolling Stone recently named her as one of “10 New Artists You Need To Know,” and Roger Moutenot (Yo La Tengo, Sleater-Kinney) is producing her debut with bandmates Ruby Rogers, Tiffany Minton and Mason Hickman.  Although often categorized as country, Victoria is actually a Southern cynic. On her Facebook page, she describes her music genre as “back-porch-blues-swamp-cat-lady-howlin’-at-the-moon.” Continue reading →

Caroline Bauer releases her first full-length studio album, To Kneel and Kiss the Ground, Sunday, March 15, at her album release show at Sam Bond’s. Joining Bauer are Portland musicians Jeffrey Martin (who the Portland Mercury just declared “might be the best songwriter in Portland”) and Anna Tivel (formerly of Anna and the Underbelly), who also played violin on the album. EW caught up with Bauer this week for coffee and discussed raising money for the album, collaboration and her musical roots.   Continue reading →