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“Still a real world here,” sings Joanne Rand on the track “Real World” from her 2014 album Still a Real World. The song is a manifesto of sorts, cajoling us to disconnect from our networked lives and refocus on the material world. But in 2015, the life of a musician — independent or otherwise — is increasingly dependent on digital space. How does the Arcata musician find balance? Continue reading
“Hey Ho! Let’s Go!” The classic battle cry will inevitably reach the rafters this Sunday as Richie Ramone, one of the last remaining member of classic punk-rock act The Ramones, brings his leather-clad gospel anew to Eugene. Since parting ways with the godfathers of the New York punk scene in 1987, Ramone has done time in The Rock n’ Roll Rats as well as The Gobshites. He’s even tried his hand at classical composition. But shaking the Ramones’ moniker can be tough. Continue reading
With his always-vacant bug eyes, gap-toothed perma-grin and just-rolled-out-of-bed demeanor, Canadian musician Mac DeMarco is indie rock’s greatest goofus. But underneath it all, there’s a sly knowingness. You’re not sure how it happened, but while you weren’t looking this simpleton pulled a prank on you — tweaked your nose, tussled your hair and left you standing mystified but thoroughly amused. Continue reading
Theater has long served as fertile ground for new ideas to germinate, with playwrights boldly questioning the status quo and planting the seeds of change. Eugene audiences will have the opportunity to examine two politically charged plays, as the University of Oregon Department of Theatre Arts presents Chantal Bilodeau’s Sila: An Arctic Story and Lane Community College’s Theatre Department performs Tony Kushner’s Angels in America: A Gay Fantasia on National Themes. Continue reading
Sara is unlucky. She has a problem with light bulbs blowing out, leftovers spontaneously combusting and goldfish going belly up before their time. But in the new comedy Lucky Me by Robert Caisley — now playing at Oregon Contemporary Theatre — Sara finds something special because of her supposed faults, not in spite of them. Written in a snappy style reminiscent of Kaufman and Hart, Caisley populates Sara’s leaky apartment with a cast of genuine and lovable misfits. Continue reading
With a large, skilled cast and an indefinable but undeniable energy, the reaction to New Hope Christian College’s Hairspray was: Wow. “This is one of the best musicals I’ve seen in Eugene,” an audience member gushed at intermission. Continue reading
Cover story: In honor of our Global Weirding issue, Albuquerque artist Jeff Drew created a custom cover illustration for EW featuring marine and terrestrial critters that may fall prey to the effects of climate change: harbor seals, California sea lions, red-eared sliders, western pond turtles, a sperm whale and more. Drew, who works in a distinct collage style, has crafted everything from Beastie Boys posters to covers for the Village Voice and Willamette Week, as well as several for this rag. Find more of his work at jeffdrewpictures.com Continue reading
Words by Bryan Kalbrosky • Photos by Brinkley Capriola Much like the music itself, memories from the Odesza concert at McDonald Theatre on Tuesday are perfectly fragmented into pieces of an unforgettable night. Continue reading
If Rick Bartow reads this — which he won’t, he already told me so — he would probably furrow his brow and mutter something about the article being too “woo-woo,” a term he often uses when talk gets too reverent or lofty, usually in discussions of art or religion. Continue reading