1. Candy Whoreholla Instagram.com/Candy_Whoreholla.
2. Karress Ann Slaughter (Cornel Hardiman) Facebook.com/GlamazonsEugene.
3. Slutashia Facebook.com/Slutashia.
“It was in the very beginning of the pandemic I thought to myself, ‘I wonder how many drag queens are going to come out of this pandemic?’” Candy Whoreholla, or Eugene local Chris Moody, says. “Then I thought, ‘You know what? This is my time.’”
While at his partner’s home, Moody noticed a trash bag in the rafters of his garage left from the previous owners. In the bag were clothes that would become a staple in Candy’s first outfits — a bag of pantsuits. Luckily for Candy, they fit her all perfectly.
Performing as Candy was something that’s always been in Moody’s repertoire after years of watching RuPaul’s Drag Race and admiring modern drag culture, but he hadn’t really devoted his time to it until the pandemic hit.
Moody says he’s always had a divine feminine energy within him, and a masculine one. Creating Candy’s personality was collective inspiration from Andy Warhol, his absolute love for candy, modern drag culture and Lisa Frank. Candy’s Instagram has some iconic looks, ranging from Marge Simpson to a hot rendition of a postwoman. All of her looks are thrifted.
Candy has made several appearances at Beards and Mimosas, a drag show put on by The Barn Light in downtown near Voodoo Doughnut. She’s also made an appearance at Dragageddeon, a show put on by Old Nick’s Pub in town. Moody says he loves doing performances, but as a photographer and visual artist, Moody has a special affection for photos of Candy.
“It was just waiting to happen,” Moody says. “I was searching for this muse that no one was, really. I flipped the script and took on that role instead. It feels like I can sort of flow in and out of all different art practices. I’m super stoked and super happy with where everything is right now for me.”
Candy will be making an appearance at The Barn Light’s “spooky” Halloween show, Magnifique, Oct. 30.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
