Through graceful leaps and expressive faces, Eugene Ballet takes the story of Carmen to new levels without spoken word or song. When the opera was first performed on March 17, 1875, it shocked and scandalized audiences with its story of a passionate love triangle between naive soldier Don José, bull rider Escamillo and seductive gypsy Carmen, who sings the instantly recognizable “Habanera” (L’Amour est un Oiseau Rebelle).” Eugene Ballet principal dancers Mark Tucker and Danielle Tolmie take on the roles of Don José and Carmen, and company dancer Joshua Downward takes on the role of Escamillo. Watching their rehearsals you could see the pain and passion painted across their faces. Toni Pimble, artist director and founder of the Eugene Ballet, says that Carmen is one of her favorite ballets to work on. “I like doing full-length narrative ballets, and I do like the drama because I like working with and coaching the dancers in drama,” she says.
Eugene Ballet’s Carmen with Orchestra Next is 7:30 pm Saturday, Feb. 22, and 2 pm Sunday, Feb. 23, at the Hult Center, 1 Eugene Center. Tickets are $25 to $70, or $18 for students, and can be purchased at Tickets.HultCenter.org.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519
